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{\an8\1c&H00FFFF&}字幕来源：{\r}{\an8}网络{\r}         {\an8\1c&H00FFFF&}字幕合成&特效：{\r}{\an8}yuki十三凉{\r}
{\an8\1c&H00FFFF&}YY八零前 牛斯特洛夫斯基小分队 向本剧字幕原创翻译者表示感谢！{\r}

1
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{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}如果你是个画家的话{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}You're a painter.{\r}

2
00:00:06,800 --> 00:00:09,510
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}那么对你来说 你会认为什么事情是最糟糕的呢{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}What's the worst thing that can happen to you?{\r}

3
00:00:09,600 --> 00:00:12,550
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}受到羞辱  还是被嘲笑{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Disgrace? Derision?{\r}

4
00:00:13,960 --> 00:00:18,470
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}都不是 最糟糕的事情是你不得不撕毁自己心爱的作品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}No, the worst thing is to have to cut up your masterpiece.{\r}

5
00:00:24,200 --> 00:00:29,870
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}那么这位荷兰最伟大画家是如何走到这一步的呢{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}What had brought Holland's greatest painter to this moment of artistic suicide?{\r}

6
00:00:31,000 --> 00:00:37,230
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗曾经是一个城市有威望的领导人  而且这个城市的人们也以他为荣{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Once, Rembrandt had been cock of the walk in a city that couldn't get enough of him.{\r}

7
00:00:37,360 --> 00:00:41,630
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}阿姆斯特丹 一座五光十色 繁荣富饶的城市{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Glittering, fat, prosperous Amsterdam,{\r}

8
00:00:42,280 --> 00:00:44,070
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是那只是当时的情形{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}but that was then.{\r}

9
00:00:44,160 --> 00:00:47,230
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}如今 他生活在一座博物馆公园的对面{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Now, he's living opposite an amusement park,{\r}

10
00:00:47,320 --> 00:00:52,180
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}那里每天晚上都躺满了醉汉 周末还时不时的发生斗殴事件{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}drunks throwing up on his doorstep, knife fights every Friday night.{\r}

11
00:00:52,760 --> 00:00:55,790
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是他为什么要撕毁自己的作品呢{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But why is he mutilating his painting?{\r}

12
00:00:57,240 --> 00:01:01,510
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}它们理应高高的悬挂在市政厅的墙面上{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}It had been hanging on the walls of the Amsterdam town hall,{\r}

13
00:01:01,600 --> 00:01:03,830
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是他突然作出了一个决定{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}but then a decision was made.{\r}

14
00:01:03,920 --> 00:01:08,590
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}作品被取了下来  然后挂上了别的东西{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Take it down, get something else to fill the space.{\r}

15
00:01:09,560 --> 00:01:14,750
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}那么现在他准备怎么处理这些“劣质”作品呢{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So now what's he supposed to do with it? This B-movie flop of a picture?{\r}

16
00:01:17,000 --> 00:01:19,300
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}也许如果他可以把它裁小一些{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Maybe, if he can cut it down a little,{\r}

17
00:01:19,400 --> 00:01:23,270
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}那些喜欢画面中心部分的人就会出现了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}there'll be someone out there who might like the centre of the painting,{\r}

18
00:01:23,360 --> 00:01:25,820
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}就是画中的那个人像{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the bit with the people in.{\r}

19
00:01:26,320 --> 00:01:29,070
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以他就这么干了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So under the knife it goes.{\r}

20
00:01:30,120 --> 00:01:33,390
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这可是个严厉的惩罚  最严厉的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}It's a brutal punishment, the worst.{\r}

21
00:01:33,480 --> 00:01:36,430
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是伦勃朗为什么会受到这样的惩罚呢{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And for what exactly is Rembrandt being punished?{\r}

22
00:01:36,520 --> 00:01:41,710
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}因为他的画风有一种野性 从而脱离的大众的胃口{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}For being out of step with modern taste, for painting like a barbarian.{\r}

23
00:01:43,800 --> 00:01:48,430
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是那个时候他已经厌倦了去精雕细琢所谓的美丽{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But then he isn't interested in refinement and beauty. It bores him.{\r}

24
00:01:48,520 --> 00:01:51,670
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他在创作人类  像你我般有血有肉的人类{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}He does us, flesh and blood, you and me.{\r}

25
00:01:51,760 --> 00:01:55,300
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}艺术是用来揭露人类真实的生存状态的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Art that exists to tell the truth about the human condition.{\r}

26
00:01:57,720 --> 00:02:00,430
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这也正是伦勃朗一直以来所感到自豪的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}That's his everlasting glory,{\r}

27
00:02:00,520 --> 00:02:04,300
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但最终这却成了他的麻烦{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}but in the end, that's also going to be his problem.{\r}

28
00:02:13,830 --> 00:02:22,830
{\fnFZZongYi-M05S\fs36\1a&H32&\pos(190,240)\3c&H0000FF&}艺术的力量：伦勃朗{\r}

29
00:02:29,000 --> 00:02:33,230
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}十七世纪三十年代的阿姆斯特丹 当时伦勃朗风头正盛{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Amsterdam in the 1630s, Rembrandt's on a roll.{\r}

30
00:02:33,320 --> 00:02:36,590
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他仿佛有点石成金之术{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Everything he touches seems to come up trumps.{\r}

31
00:02:36,840 --> 00:02:40,790
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他总是能比人们先一步知道他们自己喜欢什么{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}He knows what the patrons want even before they know it themselves{\r}

32
00:02:40,880 --> 00:02:44,420
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}而且没有什么事情是他做不来的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and there's nothing, I mean nothing, he can't turn his hand to.{\r}

33
00:02:44,520 --> 00:02:46,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伟大的历史事件{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Great action-packed histories,{\r}

34
00:02:47,040 --> 00:02:50,790
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}令人荡气回肠的故事 还有瞠目结舌的旁观者{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}heart-pumping stories with pop-eyed bystanders,{\r}

35
00:02:50,880 --> 00:02:56,270
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}仿佛能随着上帝的呼吸在悸动的著作{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}books which seem to breathe and lift with the breath of God.{\r}

36
00:02:57,200 --> 00:03:01,390
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}还有那些杰出的肖像作品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And portraits, spectacular portraits.{\r}

37
00:03:16,760 --> 00:03:19,830
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}画家与城市 二者相辅相成{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}They were made for each other, the painter and the city.{\r}

38
00:03:19,920 --> 00:03:23,310
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}正如没有人见过象伦勃朗这样的作品一样{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Just as no one had ever seen paintings like Rembrandt's,{\r}

39
00:03:23,400 --> 00:03:27,430
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}世界上从未出现过阿姆斯特丹这种城市{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the world had never seen a place quite like Amsterdam.{\r}

40
00:03:30,000 --> 00:03:34,110
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}1600年的阿姆斯特丹只不过是个死气沉沉的渔港{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}In 1600, it had been a backwater fishing port.{\r}

41
00:03:34,200 --> 00:03:38,590
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}30年后当伦勃朗到达这里的时候  码头上堆满了来自中国的丝绸{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Thirty years later, when Rembrandt arrived, the docks were unloading Chinese silks,{\r}

42
00:03:38,680 --> 00:03:41,310
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}瑞典的铜铁矿石{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Swedish iron and copper,{\r}

43
00:03:41,400 --> 00:03:46,340
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}还有大众喜爱的糖和烟草{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and the new mass-market addictions, sugar and tobacco.{\r}

44
00:03:46,440 --> 00:03:50,430
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}就在一代的时间里{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}In one generation, the place had gone from provincial also-ran{\r}

45
00:03:50,560 --> 00:03:53,120
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这个地方一跃成为了世界上最繁荣的城市{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}to economic lord of the world.{\r}

46
00:03:54,880 --> 00:03:57,790
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这里应有尽有{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Whatever you wanted, Amsterdam had it,{\r}

47
00:03:57,880 --> 00:04:02,310
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}简直就是17世纪的超级折扣市场{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the discount supermarket of the 17th century.{\r}

48
00:04:08,680 --> 00:04:13,230
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以 可观的财富得以迅速的积累{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So, fortunes were made, quick and spectacular.{\r}

49
00:04:13,320 --> 00:04:16,510
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}而且那些爆发户还都爱显摆{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And those who made them were not shy of showing them off.{\r}

50
00:04:16,600 --> 00:04:19,830
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以一些精美的住宅建立起来的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So they built elegant houses on these canals,{\r}

51
00:04:19,920 --> 00:04:23,700
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}而且这里的居民的消费品也都是上乘的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and into those houses went all the good things.{\r}

52
00:04:23,800 --> 00:04:27,630
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}带有金印花的皮革墙纸 代夫特磁砖{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Gold-stamped leather wall coverings, Delft tiles,{\r}

53
00:04:27,720 --> 00:04:32,740
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}昂贵的镜子 还有他们已经征服的世界的地图{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}fine mirrors in rich frames, maps of the worlds they were conquering,{\r}

54
00:04:32,840 --> 00:04:37,700
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}当然也少不了绘画  特别是他们自己的肖像{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and, of course, pictures, especially pictures of themselves.{\r}

55
00:04:45,280 --> 00:04:49,630
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这位是尼古拉斯·鲁茨 是皮毛商人{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}This is Nicolaes Ruts, and his business is fur.{\r}

56
00:04:49,720 --> 00:04:54,030
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}俄罗斯黑貂皮是最名贵的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Russian sable, in fact, the priciest of the lot.{\r}

57
00:04:54,120 --> 00:04:58,910
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}穿着自己经营的货物为自己打广告是他本人的主意吗{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Was it his idea, I wonder, or Rembrandt's, that he should brand himself{\r}

58
00:04:59,000 --> 00:05:01,190
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}我认为  这也许是伦勃朗的主意{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}by wearing his stock in trade?{\r}

59
00:05:01,280 --> 00:05:06,590
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这可是点睛之笔 因为这幅毛绒绒的作品太具想象力了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}In any event, it's a stroke of genius, for this is the hairiest painting imaginable.{\r}

60
00:05:08,200 --> 00:05:13,910
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}毛皮大衣就像一条毛发瀑布顺流而下 象一条奢华的河流{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}All that soft fall of fur dropping down his body, like a river of luxury,{\r}

61
00:05:14,000 --> 00:05:18,190
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}由于静电的缘故  有些毛发立了起来{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the hairs standing up in a gentle charge of electrostatic,{\r}

62
00:05:20,400 --> 00:05:22,110
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}然而尽管充满的奢华的调子{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Yet for all the sumptuousness,{\r}

63
00:05:22,200 --> 00:05:27,390
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗却尽力避免给人造成一种富而不奢的印象{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Rembrandt has managed to avoid any impression of idle opulence.{\r}

64
00:05:28,040 --> 00:05:31,580
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他那一丝不苟精心梳理过的胡须{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}With his fastidiously combed whiskers and sharp eyes,{\r}

65
00:05:31,680 --> 00:05:36,310
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}还有如那些被剥皮的动物般锐利的眼神{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}almost as sharp as those of the animals from whom the pelts were taken,{\r}

66
00:05:36,400 --> 00:05:41,520
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}鲁茨的眼神透露出一丝不耐烦{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Ruts' glance is that of a slightly impatient intelligence.{\r}

67
00:05:41,600 --> 00:05:45,830
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}我们几乎要冲口而出  不好意思耽搁了您这么久{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}We almost want to say, ''Thanks for giving us a moment. ''{\r}

68
00:05:51,320 --> 00:05:53,070
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但同时他也很具立体感{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But he's also solid.{\r}

69
00:05:53,160 --> 00:05:57,310
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}头部侧面的投射阴影显得他很有思想{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The deep shadow cast by the side of his head makes him thoughtful.{\r}

70
00:05:58,240 --> 00:06:00,510
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}微微发红的眼睑{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The slightly pinked inner eyelids,{\r}

71
00:06:00,600 --> 00:06:05,270
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}表明他好像为了不辜负投资者们而去熬夜工作{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}as though he'd sacrificed his sleep for the good of the investors.{\r}

72
00:06:05,360 --> 00:06:08,590
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以为什么JP·摩根会买下它就不足为奇了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}No wonder JP Morgan bought the picture,{\r}

73
00:06:08,680 --> 00:06:13,540
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}难道还有别的绘画能表现出一个成功商人的形象吗？{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}for has there ever been a better portrait of the businessman as hero?{\r}

74
00:06:30,300 --> 00:06:33,770
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗不仅仅对那些富有的客户很了解{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Rembrandt not only understood his rich clients{\r}

75
00:06:33,860 --> 00:06:36,890
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}对他们心目中自己的形象也是如此{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and the image they wanted to project of themselves,{\r}

76
00:06:36,980 --> 00:06:41,210
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他同样也是个顶级的油漆工（即画家）{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}he was also a virtuoso manipulator of paint.{\r}

77
00:06:42,140 --> 00:06:46,890
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}没有人会去注意一个中年人眼皮的细节{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}No one looked harder at the topography of a middle-aged eyelid,{\r}

78
00:06:46,980 --> 00:06:50,490
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}一个油性鼻子泛出的油光{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the oiliness of a prosperous nose,{\r}

79
00:06:50,580 --> 00:06:54,850
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}还有如水般的眼睛玻璃体{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the wateriness of the eye's vitreous membrane,{\r}

80
00:06:54,940 --> 00:07:00,490
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}头发梳向后方并被一个亚麻布帽子包着  前额显得亮亮的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the shiny tightness of a forehead pulled back into a linen cap.{\r}

81
00:07:03,260 --> 00:07:08,050
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这幅作品是一位83岁的老年女性{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Look at this, Rembrandt's portrait of an 83-year-old woman{\r}

82
00:07:08,140 --> 00:07:10,370
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}现收藏于伦敦的国家美术陈列馆中{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}in the National Gallery in London.{\r}

83
00:07:10,460 --> 00:07:13,850
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}那顶无边女帽的两翼微微透明{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Look at the translucent fabric of her bonnet wings,{\r}

84
00:07:13,940 --> 00:07:17,210
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}它们的边缘由画家一挥而就{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}their edges painted with a single stroke.{\r}

85
00:07:17,300 --> 00:07:22,450
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}她的眉毛和因中风而下垂的眼睑{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Look at her eyebrow and droopy eyelid, done with jabbing strokes,{\r}

86
00:07:22,540 --> 00:07:25,570
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}微微显出了些许忧郁{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the slightly unfocused melancholy,{\r}

87
00:07:25,660 --> 00:07:28,120
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}还有因本身的脆弱导致的那种情绪{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the mood of poignant vulnerability,{\r}

88
00:07:28,220 --> 00:07:31,810
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所有的一切都把这张饱经沧桑老练的脸庞柔化了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}everything softening the face of a tough old bird,{\r}

89
00:07:31,900 --> 00:07:33,530
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}毫无疑问{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}wistful in the certainty{\r}

90
00:07:33,620 --> 00:07:38,290
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}离与天上的那位伟大的会计师（上帝）相见的日子不远了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}it's not long now before she gets to meet the great accountant in the sky.{\r}

91
00:07:40,220 --> 00:07:46,050
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗不仅是个画家  还是个心理学家  不是吗{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Not just a painter, then, but a psychologist of the human condition, don't you think?{\r}

92
00:07:49,900 --> 00:07:55,930
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}那么关于维拉斯奎兹  鲁本斯  范·代克的作品又会是怎么样呢？{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}What's the job of the other big hitters, Velasquez, Rubens, van Dyck?{\r}

93
00:07:56,980 --> 00:08:02,290
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}要想绘出那些王公贵族们精心准备的面目{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}To paint masks, the studied look of princes and popes.{\r}

94
00:08:03,500 --> 00:08:07,330
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他们预先就知道在接下来的一天里他们要以何种面目见人{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}They know in advance, pretty much, the mask of the day.{\r}

95
00:08:07,540 --> 00:08:10,970
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}崇尚武力 宫廷生活{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}martial resolution, regal care,{\r}

96
00:08:11,060 --> 00:08:13,090
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}郁郁寡欢{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}pensive melancholy.{\r}

97
00:08:16,510 --> 00:08:20,420
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是伦勃朗好像是在他们后方看过来一样{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But Rembrandt looks behind the pose,{\r}

98
00:08:20,510 --> 00:08:24,980
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}因此这也使得他的作品更能触动我们{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and this is what makes his portraits touch us like nobody else's.{\r}

99
00:08:25,070 --> 00:08:29,930
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}我们看到画家笔下的人物在向世界展示他们的面容{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}We can see people putting on their faces to the world.{\r}

100
00:08:30,030 --> 00:08:34,180
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是这却让我们与之产生更多的共鸣{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But it doesn't make us less, but more sympathetic to them.{\r}

101
00:08:46,270 --> 00:08:48,100
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}你会想到他也许对{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}You'd think that with his perfect pitch{\r}

102
00:08:48,190 --> 00:08:50,750
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}阿姆斯特丹的富裕阶层非常的了解{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}for understanding what the rich of Amsterdam wanted,{\r}

103
00:08:51,110 --> 00:08:53,060
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}也许他就是和他们一起长大的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Rembrandt would have grown up with them.{\r}

104
00:08:53,150 --> 00:08:57,540
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但并非如此  他是在距阿姆斯特丹西南25英里的莱顿长大{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But he hadn't. He'd grown up in Leiden, a textiles and university town{\r}

105
00:08:57,630 --> 00:09:01,020
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}那里出产纺织品  还有所大学{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}about 25 miles southwest of Amsterdam,{\r}

106
00:09:03,400 --> 00:09:08,830
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗一家是开磨坊的  莱茵河就在磨坊场旁流过{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Rembrandt's family were millers. The river Rhine flowed past their mill,{\r}

107
00:09:08,960 --> 00:09:12,390
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这也是他名字的来源：伦勃朗·范·莱茵{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}giving the painter his name, Rembrandt van Rijn.{\r}

108
00:09:20,520 --> 00:09:24,750
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他上了拉丁语学校并进入了当地大学深造{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the one who went to Latin school and the local university.{\r}

109
00:09:24,840 --> 00:09:30,990
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以在14岁就辍学成为了一名画家（我认为）可能是一种信念驱使下的行为{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So dropping out at 14 to become a painter was, I suppose, an act of faith.{\r}

110
00:09:37,400 --> 00:09:42,470
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}你要知道 这位小画家的时间可不充裕{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Mind you, no time for teenage masterpieces.{\r}

111
00:09:42,560 --> 00:09:46,590
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}做学徒太累了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Too busy doing what apprentices had to,{\r}

112
00:09:46,680 --> 00:09:51,310
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}混合漆料  研磨颜料{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}mixing primer, grinding pigment,{\r}

113
00:09:51,400 --> 00:09:54,630
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}还得在发出肉腥味的亚麻油中悬料{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}suspending it in meaty-smelling linseed oil.{\r}

114
00:09:57,680 --> 00:10:03,750
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}感谢上帝  现在是没有人掘墓从烧焦的骨骼上刮取黑色颜料了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}No one, thank God, robbed graves anymore to make black pigment from charred skeletons.{\r}

115
00:10:05,080 --> 00:10:07,070
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}现在他们使用的是烟灰{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}They used soot instead.{\r}

116
00:10:15,280 --> 00:10:20,220
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}终其一生  伦勃朗好像对油画颜料的那种朦胧状态很是喜爱{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}All his life, Rembrandt seemed to love the filmy muck of oil paint.{\r}

117
00:10:21,280 --> 00:10:25,550
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}同时代的人从来没有弄清它的质地配料{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}No one in his century ever explored its texture,{\r}

118
00:10:25,640 --> 00:10:30,830
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这些颜料从浓而县得硬质到淡而富有流动感 也更为活泼{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}from thick and crusty to thin and fluid, more lovingly.{\r}

119
00:10:45,800 --> 00:10:49,550
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}我们可以在他二十多岁时的自画像中{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}You can see this plunge into the materials of his craft{\r}

120
00:10:49,640 --> 00:10:55,820
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}看出他的这种（对颜料的）痴迷{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}in this little portrait of himself, done in his studio in Leiden in his twenties.{\r}

121
00:10:57,600 --> 00:11:03,110
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}画中的他身穿工作服  周围则是些工具{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Here he is in his work clothes, all around him the tools of the trade.{\r}

122
00:11:03,200 --> 00:11:05,030
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是注意一下这个地方{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But just look at this place.{\r}

123
00:11:05,120 --> 00:11:06,870
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}开裂的木地板{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The plank floor is cracking,{\r}

124
00:11:06,960 --> 00:11:11,870
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}还有墙角剥落的石膏墙面都表明{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the plaster in the corner of the room is peeling, and that, of course, is the point.{\r}

125
00:11:12,080 --> 00:11:15,110
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这是个老地方{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}It's an old place, a dump really,{\r}

126
00:11:15,200 --> 00:11:19,630
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但这也是他与一件古老事物发生联系的地方{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}but it's still the place where a young man connects with an old thing,{\r}

127
00:11:19,720 --> 00:11:22,150
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}艺术创作{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the making of art.{\r}

128
00:11:22,240 --> 00:11:24,870
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}因而这也是我们为什么会感到莫名的感动{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And that's why it moves us strangely,{\r}

129
00:11:24,960 --> 00:11:28,710
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}一个身穿大号家常服的华而不实的小家伙儿{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the little gingerbread man in his oversize housecoat,{\r}

130
00:11:28,800 --> 00:11:31,710
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}穿着一件作画时用到的斗篷{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}mantled in the trappings of painting.{\r}

131
00:11:36,700 --> 00:11:40,810
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是看着他  你会发现他根本就不是在画画{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But look at him. He isn't painting at all, he's just staring{\r}

132
00:11:40,900 --> 00:11:43,330
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}而是在瞪着他藏起来的什么东西{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}at something he's hidden from us.{\r}

133
00:11:44,020 --> 00:11:50,250
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这个秘密只有唯一的特征  画架边上的那道浓烈的金色光芒{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}A mystery whose only feature is that intense golden light at the edge of the picture frame.{\r}

134
00:12:00,620 --> 00:12:05,450
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}毫无疑问从中我们可以看出来  伦勃朗已是灵光乍现了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}No wonder, then, that with all this cleverness, Rembrandt was talent-spotted,{\r}

135
00:12:05,620 --> 00:12:08,610
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}最终被康斯坦丁·惠根慧眼所识{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}singled out by Constantijn Huygens,{\r}

136
00:12:08,700 --> 00:12:11,730
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他是荷兰最具影响力的赞助人{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the most influential patron in all of Holland,{\r}

137
00:12:11,820 --> 00:12:14,890
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗大有前途  他就是块璞玉{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}as the coming man, a diamond in the rough.{\r}

138
00:12:15,580 --> 00:12:17,650
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}而惠根眼中的伦勃朗{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And what Huygens saw in Rembrandt{\r}

139
00:12:17,740 --> 00:12:20,200
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}是个超级故事讲述者{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}was a superlative storyteller.{\r}

140
00:12:31,620 --> 00:12:34,810
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}比如参孙和黛莉拉的故事{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Take the story of Samson and Delilah.{\r}

141
00:12:34,900 --> 00:12:41,210
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}众多艺术家笔下的参孙是个裸体 他正处于性交后的睡眠状{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Most artists did Samson as a naked hulk, slumped in post-coital slumber.{\r}

142
00:12:44,860 --> 00:12:47,850
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}让我们看看伦勃朗是怎么做的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}This is what Rembrandt does.{\r}

143
00:12:47,940 --> 00:12:51,290
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}参孙不再是裸露的  而是穿上了衣服{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Instead of nude beefcake, he dresses him.{\r}

144
00:12:51,380 --> 00:12:57,050
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}而且更令人惊讶的是  他笔下的参孙更为脆弱{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And, amazingly, makes him seem more, not less, vulnerable.{\r}

145
00:12:57,140 --> 00:13:00,570
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}而这是通过那个结表现出来的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}All his paint wizardry is used on that knot,{\r}

146
00:13:00,660 --> 00:13:05,370
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}它仿佛把参孙与他的爱人还有自己的命运绑在了一起{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}which seems to tie Samson to his lover and to his fate.{\r}

147
00:13:07,420 --> 00:13:12,130
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}黛莉拉挽起一撮参孙的古铜色的头发正准备剪掉它{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Delilah lifts a lock of Samson's copper hair, ready to be shorn away,{\r}

148
00:13:12,220 --> 00:13:17,290
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是此时的黛莉拉的另一只手却在轻弹着那撮头发{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}but as she does so, her other hand idly strokes his tresses.{\r}

149
00:13:17,860 --> 00:13:22,650
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以只一个姿态  伦勃朗就抓住了故事的精髓所在{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So in one gesture, Rembrandt gets to the heart of the story,{\r}

150
00:13:22,780 --> 00:13:29,410
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}残忍的背叛和多情的温柔是一种带有悲剧性质的不可分离性{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the tragic inseparability of amorous tenderness and brutal betrayal.{\r}

151
00:13:37,340 --> 00:13:43,490
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗是如此出色  但是Huygens认为他的保护人如果去意大利的话可能会更好{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Good as he was, Huygens thought his protector? could be even better if he went to Italy.{\r}

152
00:13:43,580 --> 00:13:48,770
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是伦勃朗可没打算去意大利做雕刻 他有个大想法{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But Rembrandt wasn't going to put in time sketching statues, he had bigger fish to fry.{\r}

153
00:13:48,860 --> 00:13:52,330
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}毕竟  赚钱更具吸引力{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}This was, after all, the republic of money,{\r}

154
00:13:52,420 --> 00:13:56,410
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}而且阿姆斯特丹就好像在他耳边说  来吧  我这里有的是钱{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and Amsterdam whispered to him, ''Come and get it.''{\r}

155
00:14:19,340 --> 00:14:23,090
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以他就去了  而且非常成功{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So here he was, doing very nicely, thank you,{\r}

156
00:14:23,180 --> 00:14:27,450
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他为那些惊奇的故事作画  为人们绘制肖像{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}turning out stunning story paintings and portraits to order.{\r}

157
00:14:27,540 --> 00:14:31,610
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}而且他已经不仅仅是个画家了 他也算是个艺术商人了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And not just a painter either, but also a partner in the art business,{\r}

158
00:14:31,700 --> 00:14:33,690
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗Uylenburgh 有限公司{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Rembrandt Uylenburgh Inc.{\r}

159
00:14:33,780 --> 00:14:39,690
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他开始收徒弟  买卖复制品  接受订单{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Pupils taken in for a fee, copies made, original paintings commissioned.{\r}

160
00:14:54,400 --> 00:14:59,590
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这是他的合伙人的侄女  年轻的Saskia van Uylenburgh{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So what was it about his partner's niece, young Saskia van Uylenburgh,{\r}

161
00:14:59,680 --> 00:15:04,230
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}胖胖的下巴  歪着脸在笑{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}with her butterball chinsand lopsided, crinkly grin?{\r}

162
00:15:04,320 --> 00:15:07,430
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}一个不错的女孩儿  当然有人会认为这是一张“抓拍”{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}A nice girl, certainly, a catch, one would assume,{\r}

163
00:15:07,520 --> 00:15:12,230
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}她是北部弗里斯兰市长的女儿  自幼就失去了父母{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}being the orphaned daughter of a burgomaster of northern Friesland.{\r}

164
00:15:14,080 --> 00:15:19,910
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}21岁的时候遇上了伦勃朗  当时她还有份家产在身{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}She met Rembrandt when she was 21, blessed with a portion of her father's estate.{\r}

165
00:15:22,160 --> 00:15:25,940
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}有人说伦勃朗给她写过诗  我想那大概真有其事{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}If Rembrandt could have written poems to Saskia, he would have.{\r}

166
00:15:28,360 --> 00:15:33,510
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是伦勃朗却以这幅肖像作为二人的订婚礼{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But, instead, he did this precious little drawing to mark their betrothal.{\r}

167
00:15:33,600 --> 00:15:38,510
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}画中的她充满自然气息  稻草帽  手里拿着野花{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}She's a child of nature, the straw hat, the wildflowers.{\r}

168
00:15:38,640 --> 00:15:43,910
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}也只有伦勃朗会认为那朵孤零零的花儿是完美的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Only Rembrandt could have done that dangling broken stalk and thought it was perfect.{\r}

169
00:15:47,440 --> 00:15:51,870
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}只要有机会  他在为她作画时总会来朵花儿{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Whenever he can, he paints her with flowers. She's his flower child.{\r}

170
00:16:00,880 --> 00:16:04,710
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}要知道  他们北方的亲戚们可不怎么喜欢花儿{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Mind you, the relatives up north don't like it very much.{\r}

171
00:16:04,800 --> 00:16:09,510
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他们听说伦勃朗和Saskia到处炫耀二人的珠宝{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}They hear stories of Rembrandt and Saskia showing off their jewels{\r}

172
00:16:09,680 --> 00:16:11,830
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}皮草  还有华丽的家居用品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and fur and fancy outfits{\r}

173
00:16:11,920 --> 00:16:14,510
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这些亲戚们说道  告诉你们吧{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and they nod their heads and say, ''Told you so.''{\r}

174
00:16:14,600 --> 00:16:19,590
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗花的可是Saskia的钱  他们是寅吃卯粮{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}''Always knew he was after her money, and now they're spending it like there's no tomorrow.''{\r}

175
00:16:21,560 --> 00:16:24,710
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}因为伦勃朗成为了一个购物狂{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}For Rembrandt has become a shopaholic.{\r}

176
00:16:24,800 --> 00:16:27,550
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}不过他的品味倒是不差{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Oh, a shopaholic in the best possible taste.{\r}

177
00:16:27,640 --> 00:16:30,630
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他从拍卖会上竞购大师级作品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}He buys paintings by old masters at auctions,{\r}

178
00:16:30,720 --> 00:16:34,750
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是偶尔他也会光顾Portobello Road（世界上最大的古董交易市场,位于伦敦诺丁山附近）{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}but every so often, he hits the Amsterdam equivalent of the Portobello Road,{\r}

179
00:16:34,840 --> 00:16:37,550
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}看来他真是购物购上瘾了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and he just can't stop buying.{\r}

180
00:16:37,640 --> 00:16:40,270
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}日本盔甲  印尼匕首{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Japanese armour, Indonesian daggers,{\r}

181
00:16:40,360 --> 00:16:42,820
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}罗马皇帝的石膏半身像{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}plaster busts of Roman emperors,{\r}

182
00:16:42,920 --> 00:16:46,510
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他对自己说这都是为了艺术{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and he tells himself it's all for art.{\r}

183
00:16:55,240 --> 00:16:56,750
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}促使他疯狂购物还有另外一个原因{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Here's another impulse buy,{\r}

184
00:16:56,840 --> 00:17:01,860
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}位于阿姆斯特丹著名街道上的一座四层楼豪宅{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}a pricey four-storey house in one of the more elegant streets in Amsterdam.{\r}

185
00:17:01,960 --> 00:17:06,070
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}当时这可不是适合普通艺术家们的居所{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Not your usual artist's modest residence, then.{\r}

186
00:17:08,280 --> 00:17:10,840
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是  为什么伦勃朗会如此豪奢呢{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But then, why shouldn't he be extravagant?{\r}

187
00:17:10,920 --> 00:17:14,870
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}毕竟他是荷兰最成功的画家{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Rembrandt is, after all, the most successful painter in Holland,{\r}

188
00:17:14,960 --> 00:17:20,430
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}世界上许多权贵家中都悬挂着他的作品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and his paintings are hanging in the houses of the richest, most powerful men in the world.{\r}

189
00:17:31,480 --> 00:17:36,070
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}十七世纪三十年代是伦勃朗的全盛时期{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}What makes Rembrandt's later falling-out with his patrons so surprising{\r}

190
00:17:36,160 --> 00:17:39,030
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是令人惊讶的是他与合伙人发生了一次争吵{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}is that in his salad days in the 1630s,{\r}

191
00:17:39,120 --> 00:17:42,820
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}没有人能打败伦勃朗{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}no one could beat him for grasping exactly what it was{\r}

192
00:17:42,920 --> 00:17:47,750
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}因为他拥有阿姆斯特丹第一代富人阶层想要拥有的东西{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the first generation of Amsterdam moneymen really wanted.{\r}

193
00:17:47,840 --> 00:17:51,380
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是他们想要的东西却是互相矛盾的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}What they wanted were two contradictory things.{\r}

194
00:17:51,480 --> 00:17:55,470
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}一方面当然是肖像了 拥有一幅个人肖像证明你是富有的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}On the one hand, the portraits of course had to say, ''We are rich. ''{\r}

195
00:17:55,560 --> 00:17:57,270
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}另一方面  肖像也证明了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}On the other hand, they had to say,{\r}

196
00:17:57,360 --> 00:18:02,030
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他们也是害怕上帝的  也是凡夫俗子  终归难逃一死{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}''But we are also God-fearing, plain, simple folk{\r}

197
00:18:02,120 --> 00:18:04,550
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}谁都知道富不过三代  穷不过父子{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}who know that riches never last. ''{\r}

198
00:18:05,400 --> 00:18:09,180
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}每个周日他们会到教堂里聆听牧师的教诲{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Every Sunday in church they heard their preachers say to them,{\r}

199
00:18:09,280 --> 00:18:12,430
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}不要忘记你的出身是多么的卑微{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}''Do not forget the humble place from which you have come.{\r}

200
00:18:12,520 --> 00:18:15,230
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}不要忘记三十年河东{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Do not forget that today's worldly pomp{\r}

201
00:18:15,320 --> 00:18:18,350
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}三十年河西{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}will be tomorrow's dust and ashes.''{\r}

202
00:18:18,520 --> 00:18:23,590
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以这些肖像在令他们感到脸上有光的同时却又令其脸上无光{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So the paintings had to show them off without making them show-offs.{\r}

203
00:18:29,240 --> 00:18:34,470
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗使得这条富有却谦恭的界限变得生硬起来{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Rembrandt had this rich-but-modest line down stone-cold.{\r}

204
00:18:34,560 --> 00:18:37,350
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以  那些富人当然会排起队来邀请他了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So, of course, they're lining up for him.{\r}

205
00:18:37,440 --> 00:18:41,030
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}不仅仅是商人们跃跃欲试，而且还有crene de la crene{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Not just merchants on the make but the crene de la crene,{\r}

206
00:18:41,120 --> 00:18:43,630
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}例如 Trip家族{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the family Trip, for example.{\r}

207
00:18:45,720 --> 00:18:47,910
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这个家族可是世界上的顶级大富豪{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}You don't get much richer than the Trips,{\r}

208
00:18:48,000 --> 00:18:51,390
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他们的铁铜及枪支产业遍及全球{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}who had a global empire of iron, copper and guns{\r}

209
00:18:51,480 --> 00:18:56,230
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}而且制作精良  这在与西班牙作战的时候用处可不小{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and were doing very nicely, thank you, in the endless wars against Spain.{\r}

210
00:18:58,040 --> 00:19:00,670
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是这个家族的首领伊莱亚斯Trip{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But Elias Trip, head of the dynasty,{\r}

211
00:19:00,760 --> 00:19:04,590
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}自认为是新教社会的中流砥柱{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}thought of himself as a pillar of Protestant society.{\r}

212
00:19:04,680 --> 00:19:09,390
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他是个守旧的  冷静的  常去教堂的军火商{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Your old-fashioned, sober-sided, church-going arms trader.{\r}

213
00:19:13,440 --> 00:19:17,060
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以当伦勃朗被雇来为其富有的家族{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So when Rembrandt was hired to paint his hugely rich{\r}

214
00:19:17,160 --> 00:19:20,030
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}和待字闺中的女儿玛丽亚Trip作画时{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and marriageable daughter, Maria Trip,{\r}

215
00:19:20,120 --> 00:19:24,980
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗意识到露富要露的有讲究{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}he knew that the display of wealth had to be crushingly subtle.{\r}

216
00:19:25,880 --> 00:19:29,500
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}要小处见大{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The money, then, was in the detail.{\r}

217
00:19:29,920 --> 00:19:34,110
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}在白嫩的脸蛋儿上是个毫无美感的笑容{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Below that milky pud face, with its artless little smile,{\r}

218
00:19:34,200 --> 00:19:37,310
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}再下来是挂精巧的蕾丝披肩{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}is a waterfall of stunning lace.{\r}

219
00:19:38,240 --> 00:19:41,750
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这是Trip家族万贯家财的一个暗示{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Just a hint of the Trip millions.{\r}

220
00:19:45,400 --> 00:19:51,630
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}如今画家与被画者之间的关系十分的微妙{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Now, the relationship between the painter and the painted is a devilishly subtle business.{\r}

221
00:19:51,920 --> 00:19:55,910
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是伦勃朗却好像与富有阶层之间有着良好的互动{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But Rembrandt seemed to be in perfect sync with the money classes,{\r}

222
00:19:56,000 --> 00:20:00,550
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他好像是他们肚里的蛔虫  那是因为他也想成为富人{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}understanding precisely what they wanted, because he wanted it, too.{\r}

223
00:20:00,640 --> 00:20:03,230
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是他怎么样才能做到呢{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And how he wanted it.{\r}

224
00:20:06,400 --> 00:20:10,180
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}当时是1640年  伦勃朗34岁{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Here he is in 1640, 34 years old,{\r}

225
00:20:10,280 --> 00:20:14,670
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}穿着上装成熟  把自己穿的像是个以前的伟大艺术家{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}dressed to the nines, as if he's one with the greatest past masters.{\r}

226
00:20:15,400 --> 00:20:19,310
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他看过提香为意大利诗人Ariosto创作的肖像{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}He's seen Titian's portrait of the Italian poet, Ariosto,{\r}

227
00:20:19,400 --> 00:20:22,510
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}于是他把自己按照同样的姿势摆了进去{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and he's gone and put himself in the same pose.{\r}

228
00:20:22,600 --> 00:20:27,910
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}宽大的丝织衣服  络腮胡  袖子放在贵族常用的石架上{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The oversize, silky, mutton-chop sleeve on the aristocratic stone ledge,{\r}

229
00:20:28,000 --> 00:20:32,390
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}活脱脱一幅自我庆功像{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}a picture which would be creamy with self-congratulation,{\r}

230
00:20:32,480 --> 00:20:35,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}脸上的表情应该不是在做白日梦{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}were it not for a trace of wistfulness about his face,{\r}

231
00:20:36,040 --> 00:20:39,390
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}倒有点儿像是对自己的成功有些难以置信{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}as if he can't quite believe all this success.{\r}

232
00:20:42,880 --> 00:20:46,790
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}不管你对伦勃朗有什么看法  你都得承认他很胆大{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Whatever you think about Rembrandt, you've got to admit, he's got nerve.{\r}

233
00:20:46,880 --> 00:20:48,910
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}我的意思是  看看他吧{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}I mean, just look at him,{\r}

234
00:20:49,000 --> 00:20:53,630
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}从一个农村的无名小卒成为艺术史上最厚颜无耻的画家{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}from provincial nobody to the cheekiest painter in the history of art.{\r}

235
00:20:54,000 --> 00:20:58,270
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这个聪明的荷兰人经常剑走偏锋（注 clog为木底鞋 指的是荷兰）{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Always on the edge, Mr Clever Clogs.{\r}

236
00:21:06,360 --> 00:21:09,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是在阿姆斯特丹  如果就会为单个人画肖像{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But you couldn't rightly call yourself a success in Amsterdam{\r}

237
00:21:10,040 --> 00:21:14,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}那么不管被画者多么富有  你都不能算是个成功的画家{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}if you just did single-person portraits, no matter how rich the sitters.{\r}

238
00:21:15,040 --> 00:21:17,750
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}阿姆斯特丹是一个带有“公司”性质的地方{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Amsterdam was a corporate town,{\r}

239
00:21:17,840 --> 00:21:22,830
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}那里的资本家比比皆是  发号施令的是董事会而非皇室{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}a beehive of capitalism, ruled not from palaces but from boardrooms.{\r}

240
00:21:24,520 --> 00:21:27,190
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以那些老总们会想要些什么呢{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So what did the corporate sitters want?{\r}

241
00:21:27,280 --> 00:21:30,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他们想要的第一件东西就是一幅惟妙惟肖的集体像{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Well, first of all, of course, a good likeness of themselves,{\r}

242
00:21:31,040 --> 00:21:36,830
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}艺术家们还得把他们之间微妙的次序表现出来{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and then they wanted the artist to get their complicated pecking order just right.{\r}

243
00:21:38,480 --> 00:21:41,310
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以前者得要求每个人都得被包括进来{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The former has to get everyone in,{\r}

244
00:21:41,400 --> 00:21:44,150
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}大家挤来挤去  你推我让{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}squeeze, squeeze,jostle, nudge.{\r}

245
00:21:44,240 --> 00:21:45,870
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}最终的选择会是什么呢{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}What are the choices?{\r}

246
00:21:45,960 --> 00:21:49,990
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}要么是画布足够大  每个人都能包进来{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Well, either elasticate the rectangle until everyone's in{\r}

247
00:21:50,080 --> 00:21:53,780
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}要么是把人分成高低两排{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}or double up the rows so one lot is on top of the other.{\r}

248
00:21:53,880 --> 00:21:56,630
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}结果就像是橄榄球比赛出场的十五个人（即排成一列）{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Result, the rugby first 1 5.{\r}

249
00:21:57,920 --> 00:22:03,040
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}你可以像伦勃朗最聪敏的学生塞缪尔·范·侯克斯特拉登那样{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}You could, as Rembrandt's most astute pupil Samuel van Hoogstraten put it,{\r}

250
00:22:03,120 --> 00:22:05,710
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}把老总们的头部排成一列画下来{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}behead them all with a single blow.{\r}

251
00:22:10,280 --> 00:22:14,790
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是伦勃朗对剥去社会面具有着永不知足的本能{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Now, with his insatiable instinct for stripping off social masks,{\r}

252
00:22:14,880 --> 00:22:17,340
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他可不想那样做{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Rembrandt wasn't going to settle for that.{\r}

253
00:22:17,440 --> 00:22:21,190
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以 他说道 我们可不打算排成一列{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So, he says, ''Okay let's throw away the boardroom line-up.{\r}

254
00:22:21,280 --> 00:22:24,390
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}让那些陈规见鬼去吧{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}''Let's just forget about the stale formula.''{\r}

255
00:22:24,480 --> 00:22:28,310
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}我打算把你们带进一个真实事件中去{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and turn cardboard cutouts into real events,{\r}

256
00:22:28,400 --> 00:22:30,670
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}一场真实的社交戏剧{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}''social dramas.''{\r}

257
00:22:34,480 --> 00:22:37,870
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}于是  作品“夜巡”横空出世了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And here's the result, The Night Watch.{\r}

258
00:22:37,960 --> 00:22:44,710
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这幅作品是1642年应一家布料公司的商人们所求而作  他们还是兼职民兵{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}It was commissioned in 1642 by a company of cloth merchants and part-time militia men.{\r}

259
00:22:44,880 --> 00:22:50,430
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}同时期伦勃朗作画不少  但是这幅绝对算得上是极品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And as with so many of his paintings at this time, Rembrandt had done the impossible,{\r}

260
00:22:51,040 --> 00:22:55,900
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}它在物欲横流的商业时代中表现出了些许英雄气息{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}made something heroic out of the world of merchants and money.{\r}

261
00:22:59,280 --> 00:23:04,510
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}当然人么都知道里面的人并不是真正的战士{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Now, everyone knew the militia men in this painting weren't real soldiers.{\r}

262
00:23:04,600 --> 00:23:09,540
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}真正的战争正在前线艰难的进行着{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The real war was being slogged out somewhere beyond the frontiers.{\r}

263
00:23:09,640 --> 00:23:13,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这些不过是些玩具士兵  阿姆斯特丹的老爹军团{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}These were toy soldiers, Amsterdam's dad's army.{\r}

264
00:23:14,760 --> 00:23:19,670
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}然而  老总们却喜欢沉醉于自己的战士形象{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Still, they like to preserve the fiction of the citizen soldier.{\r}

265
00:23:19,760 --> 00:23:24,350
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他们会认为自己是在为捍卫阿姆斯特丹的自由而战{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}They like to think they'd be there to defend the freedom of Amsterdam.{\r}

266
00:23:28,120 --> 00:23:31,030
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}拍马屁可是伦勃朗的拿手好戏{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Rembrandt's great idea is flattery.{\r}

267
00:23:31,120 --> 00:23:34,270
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但这次拍马的目的已经不仅仅是令老总们感到自己是如何的年轻英俊{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Now, it's not the kind of flattery that's going to make them younger{\r}

268
00:23:34,360 --> 00:23:36,740
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}实际效果可比这重要多了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}or better-looking, it's much more important than that.{\r}

269
00:23:36,840 --> 00:23:41,750
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这幅作品透出的那种恭维无疑带有童话式色彩{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}It's the flattery of the entire fairytale idea behind the painting.{\r}

270
00:23:41,840 --> 00:23:44,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}一群身着盛装的布料商人在周末大玩士兵游戏{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The idea that a bunch of overdressed textile men{\r}

271
00:23:45,040 --> 00:23:48,790
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这个想法成为了现实{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}playing at toy soldiers on Sundays were the real thing,{\r}

272
00:23:48,880 --> 00:23:52,710
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}无疑这些人的内心深处都有着尚武的冲动{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}that they were actually alive with martial energy.{\r}

273
00:23:52,800 --> 00:23:58,070
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以伦勃朗通过动作而非姿势把这种冲动表达了出来{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So instead of having them pose, Rembrandt has them in action.{\r}

274
00:23:58,720 --> 00:24:02,070
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}以往都是通过（盔甲之类的）装饰作为表达手段{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}He transforms them in that way from mere human ornaments{\r}

275
00:24:02,160 --> 00:24:05,750
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是伦勃朗用的却是行军  射击和击鼓的侦察员{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}into marching, shooting, drumming guardsmen.{\r}

276
00:24:20,280 --> 00:24:23,550
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以当心潮激昂脉搏喷张之时{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So just how do you capture that instant{\r}

277
00:24:23,640 --> 00:24:26,990
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}画家是如何捕捉到这个时刻的呢{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}when your pulse goes whoosh with excitement?{\r}

278
00:24:27,080 --> 00:24:31,430
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}看来  伦勃朗一定是做了个深呼吸{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Well, Rembrandt takes a deep breath, he has a what-the-hell moment{\r}

279
00:24:31,520 --> 00:24:33,110
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}抱个“管他呢”的态度  然后就去寻找这个时刻去了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and he goes for it.{\r}

280
00:24:33,200 --> 00:24:39,460
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他摈弃了人挨人的模式  采用前后排列的动感方式{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}He changes the usual side-by-side format into a back-to-front action,{\r}

281
00:24:39,960 --> 00:24:44,820
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以那些公司老总们仿佛是直冲我们而来{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}so that the company of the officers and men are coming right at us,{\r}

282
00:24:44,960 --> 00:24:48,030
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}黑暗深渊的门口衬托出了3-D效果{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}3-D from the deep, dark doorway,{\r}

283
00:24:48,120 --> 00:24:51,190
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伴随着强烈的光芒{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}right up to the picture frame and into our own space,{\r}

284
00:24:51,280 --> 00:24:54,030
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}直逼画面边缘仿佛要破框而出{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}blazing with light.{\r}

285
00:25:01,280 --> 00:25:04,550
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}看看那个直逼画外的长矛{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Look at that spear poking into our space.{\r}

286
00:25:04,640 --> 00:25:06,750
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗一定知道{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Rembrandt knows that rough painting{\r}

287
00:25:06,840 --> 00:25:10,790
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}再粗糙的画面也会比任何文字描述{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}can actually convey the illusion of a three-dimensional object{\r}

288
00:25:10,880 --> 00:25:13,990
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}更能表现出物体的3-D幻觉效果{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}better than any literal description.{\r}

289
00:25:19,640 --> 00:25:23,030
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}画中的上尉名叫弗朗斯·班宁·库克{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The captain's name is Frans Banning Cocq.{\r}

290
00:25:23,200 --> 00:25:27,590
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}旁边是他的中尉威廉姆·范·鲁顿布鲁克{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Next to him is his lieutenant Willem van Ruytenburch.{\r}

291
00:25:31,500 --> 00:25:34,610
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}班宁·库克是行动号令的发出者{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Banning Cocq is giving the signal to move.{\r}

292
00:25:34,700 --> 00:25:39,820
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以他的命令下达就像是中尉帽子上的一道阴影{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So his order falls as a shadow on the coat of his lieutenant.{\r}

293
00:25:39,900 --> 00:25:44,760
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}士兵们如在弦之箭蓄势待发 矛缨飘飘欲飞{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}They're off, already in motion, the tassels are flying.{\r}

294
00:25:56,000 --> 00:26:00,430
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}乍一看  “夜巡”的画面仿佛是一团糟  不是吗{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}At first sight, The Night Watch seems merely chaotic, doesn't it?{\r}

295
00:26:00,520 --> 00:26:06,270
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是这实际上是对处于约束状态下的混沌力量的赞美{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But actually it's a hymn to noisy energy contained by discipline.{\r}

296
00:26:06,360 --> 00:26:10,750
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}自由与秩序  在这里得到了完美的统一{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Freedom and order, miraculously held together,{\r}

297
00:26:10,840 --> 00:26:14,710
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}我认为伦勃朗应该抓住了那些荷兰人心中的想法{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}much as I think Rembrandt thought the Dutch themselves did.{\r}

298
00:26:14,800 --> 00:26:20,830
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}那是他们得以成功的秘密  也是阿姆斯特丹的荣耀{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}That's the secret of their success. That is the glory of Amsterdam.{\r}

299
00:26:28,000 --> 00:26:31,700
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是那些荷兰人真的了解这些吗{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But did they see it, the Sunday soldiers?{\r}

300
00:26:35,000 --> 00:26:39,630
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}除了空虚与自身的需要之外{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Did the men who actually paid for the picture get beyond vanity,{\r}

301
00:26:39,720 --> 00:26:43,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}为这幅画买单的人真的了解到了真实的自我吗{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}beyond their need for a realistic depiction of themselves?{\r}

302
00:26:48,320 --> 00:26:52,100
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}据伦勃朗的学生范·侯克斯特拉登而言{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}According to Rembrandt's pupil, van Hoogstraten,{\r}

303
00:26:52,200 --> 00:26:55,070
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}画中有些人有点儿发抖{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}some of the sitters were less than thrilled.{\r}

304
00:26:55,680 --> 00:26:59,750
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}那倒不是因为气愤  只不过是有点不知所措  你仿佛能听到他们在说{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Not outraged, just a bit bewildered. You can almost hear them saying,{\r}

305
00:26:59,920 --> 00:27:03,620
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}应该没事的  毕竟他可是伦勃朗啊{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}''Well, it's got to be good, it's a Rembrandt, after all,''{\r}

306
00:27:03,720 --> 00:27:09,030
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}我能对艺术知道多少呢  但是看起来（艺术）有些糟糕{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and, ''What do I know about art? But to me it does look a bit of a mishmash.''{\r}

307
00:27:12,640 --> 00:27:17,660
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是气氛从温暖变得有些冷了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Let's just say that the climate went from warm to tepid.{\r}

308
00:27:17,760 --> 00:27:21,350
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}也许伦勃朗感受到了 也许他没有{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Perhaps Rembrandt felt it, perhaps not.{\r}

309
00:27:21,440 --> 00:27:25,710
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是自从成为荷兰的绘画金童之后{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But for the first time since becoming the golden boy of Dutch painting,{\r}

310
00:27:25,800 --> 00:27:30,190
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}头一遭伦勃朗的一个资助人却对他的作品日渐不爽{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}one of Rembrandt's patrons is so unhappy with the painting,{\r}

311
00:27:30,280 --> 00:27:33,070
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他拒绝支付薪水{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}he simply refused to pay.{\r}

312
00:27:36,040 --> 00:27:38,670
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}如果是别的老牌资助人倒也罢了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And not just any old patron either,{\r}

313
00:27:38,760 --> 00:27:44,510
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}可他是安德里斯·德·格拉夫  此人能量不可小视{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}but Andries de Graeff, a man from whom jobs and prestige flowed.{\r}

314
00:27:47,000 --> 00:27:51,230
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}我们并不确切的知道他为什么如此不爽{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}We don't know exactly what it was that offended de Graeff so much,{\r}

315
00:27:51,320 --> 00:27:55,150
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是我们猜测可能是因为伦勃朗的画风越来越自由化{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}but we can guess, with Rembrandt painting ever more freely,{\r}

316
00:27:55,240 --> 00:27:59,230
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}当然这对于一个老古董来说是难以接受的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}it didn't quite match de Graeff's stately self-image.{\r}

317
00:28:03,400 --> 00:28:07,020
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}为了得到薪水  伦勃朗不得不采取行动{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}To recover his money, Rembrandt had to resort to something{\r}

318
00:28:07,120 --> 00:28:10,790
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗一定是感到被羞辱了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}he must have found deeply humiliating.{\r}

319
00:28:10,880 --> 00:28:13,510
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}于是一个由同侪组成的仲裁委员会成立了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}An arbitration committee of his peers,{\r}

320
00:28:13,600 --> 00:28:17,550
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他们会来评判伦勃朗的作品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}who sat in judgement on the quality of his painting.{\r}

321
00:28:20,000 --> 00:28:24,710
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是这就好像是伦勃朗突然放了个臭屁{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But it was Rembrandt who all of a sudden seemed to be giving off a bad smell.{\r}

322
00:28:24,800 --> 00:28:29,820
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}然后变幻无常的财神就被熏跑了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The smell of someone from whom the fickle goddess fortune was shying away.{\r}

323
00:28:29,920 --> 00:28:31,870
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}不知道你有没有这样的经历{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Have you ever felt, at the top of your form,{\r}

324
00:28:31,960 --> 00:28:33,550
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}当你处于人生的顶峰时{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}at the height of your powers,{\r}

325
00:28:33,640 --> 00:28:38,110
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}一种奇怪但又清楚的感觉告诉你风向就要变了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}an odd but distinct sense that the winds just change direction,{\r}

326
00:28:38,240 --> 00:28:40,800
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是随后的情形会不会更厉害呢{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}that it's blowing a bit chillier now?{\r}

327
00:28:47,000 --> 00:28:52,390
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他不再得到订单  开始负债累累{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The portrait commissions dry up, the house is loaded with debt{\r}

328
00:28:52,990 --> 00:28:56,780
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他的妻子Saskia也因结核病濒临死亡{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and, inside the house, Saskia is deathly ill with TB,{\r}

329
00:28:57,500 --> 00:29:01,730
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}她的身体遭受着咯血的摧残{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}her body wracked by spasms of bloody coughing.{\r}

330
00:29:08,000 --> 00:29:11,070
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他们一家不再对死亡感到陌生了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Death was no stranger to their family.{\r}

331
00:29:11,160 --> 00:29:15,070
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗夫妇已经埋葬了三个孩子{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Saskia and Rembrandt had already buried three of their children.{\r}

332
00:29:15,160 --> 00:29:17,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}只有他们的儿子蒂图斯活了下来{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Only the boy, Titus, was alive.{\r}

333
00:29:21,240 --> 00:29:23,700
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}在1642年6月5日{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}On the fifth of June, 1642,{\r}

334
00:29:23,800 --> 00:29:28,590
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}一个公证人被召来记录Saskia的遗嘱{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}a notary was called to the house to record Saskia's will.{\r}

335
00:29:28,680 --> 00:29:31,060
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}九天后  Saskia也死了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Nine days later, she was dead.{\r}

336
00:29:37,360 --> 00:29:40,230
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}一块布简单的包裹着她的尸体{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Her body was wrapped in a simple cloth{\r}

337
00:29:40,360 --> 00:29:45,630
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}一小段默默的队伍把她送到了边远的苏格兰教会{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and in a silent little procession it was taken to the outer kirk for burial.{\r}

338
00:29:54,080 --> 00:29:58,270
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}许多年前在这座房子的某处  伦勃朗曾经为爱妻作过画{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Somewhere in this house, Rembrandt pulled out a portrait of her{\r}

339
00:29:58,360 --> 00:30:03,910
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}二人开始了共同的人生旅程{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}that he'd begun many years before, at the playful start of their life together.{\r}

340
00:30:04,000 --> 00:30:06,230
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}不管怎么说这都不太寻常{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}It's unusual for many reasons.{\r}

341
00:30:06,320 --> 00:30:10,990
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}因为这是唯一一幅没有微笑的肖像{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}One of the only paintings in which there's not a trace of a smile.{\r}

342
00:30:16,200 --> 00:30:18,630
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}她的头扭向一边显出侧面{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Her head is turned in profile,{\r}

343
00:30:18,720 --> 00:30:23,430
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}非伦勃朗式的轮廓显示出珐琅质的锐感{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the outline un-Rembrandtian in its enamel-like sharpness.{\r}

344
00:30:24,640 --> 00:30:29,190
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是他最后一次为爱妻戴上了珠宝与精美的衣物{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But for the last time, he's loaded her with fabric and jewels.{\r}

345
00:30:30,280 --> 00:30:33,030
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}看起来他总是喜欢为妻子穿上织物{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}It's as if he can't stop draping her.{\r}

346
00:30:35,760 --> 00:30:38,750
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是这一次Saskia穿上了皮草披肩{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But Saskia pulls the fur cape around her,{\r}

347
00:30:38,840 --> 00:30:42,270
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}仿佛是要挡住死亡的冰冷气息{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}as if to ward off the chill of mortality.{\r}

348
00:30:44,000 --> 00:30:46,150
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是太晚了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But it's too late.{\r}

349
00:31:07,480 --> 00:31:10,230
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}终于  Saskia离他而去了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Well, then, Saskia had gone{\r}

350
00:31:10,320 --> 00:31:14,350
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这就像是一口叮当作响的大钟突然停止{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and it was as though a peal of bells had abruptly stopped.{\r}

351
00:31:15,120 --> 00:31:19,980
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}我们知道在1642年{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}It's too easy, we're told, to say that in that year, 1642,{\r}

352
00:31:20,080 --> 00:31:22,830
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}对于伦勃朗来说  他的生活他的工作发生了翻天覆地的变化{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}everything changed for Rembrandt, for his work.{\r}

353
00:31:22,920 --> 00:31:27,350
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}从生命中解读艺术的内涵实在是令人感伤{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}That's the sentimental, romantic version to read art from life.{\r}

354
00:31:28,480 --> 00:31:31,350
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是  有一些事情在伦勃朗身上发生了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But, you know, something really had happened to Rembrandt,{\r}

355
00:31:31,440 --> 00:31:33,230
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}那是华丽的终结（即自由创作方式的终结）{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}an end to flamboyance,{\r}

356
00:31:33,320 --> 00:31:38,310
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他放弃了对外界喧闹的生活秀的戏剧性质的掌控{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}an end to his theatrical mastery of the outward, noisy show of life.{\r}

357
00:31:39,480 --> 00:31:42,990
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他仿佛把抛却了人世间的凡俗{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}It was as though he'd turned down the volume of the world{\r}

358
00:31:43,080 --> 00:31:46,750
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}进入了宁静的内心世界{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and switched on an inner quiet radiance.{\r}

359
00:32:00,560 --> 00:32:03,310
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}不再有夸大的姿势{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The big gestures melt away.{\r}

360
00:32:03,400 --> 00:32:06,590
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}取而代之的是简单朴素{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and are replaced by a tender simplicity.{\r}

361
00:32:06,680 --> 00:32:10,300
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他的作品不再是展示富有和权力的媒介{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Instead of a portrait gallery of the rich and powerful,{\r}

362
00:32:10,400 --> 00:32:13,590
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}靠在窗台上的女仆{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}a maidservant leaning on a sill,{\r}

363
00:32:13,680 --> 00:32:18,800
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}外在与内心{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}caught between inside and outside,{\r}

364
00:32:19,000 --> 00:32:21,710
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}左手在拨弄着项链{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the left hand toying with her necklace.{\r}

365
00:32:28,000 --> 00:32:30,630
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}在这幅作品里{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Here, too, in his drawings,{\r}

366
00:32:30,720 --> 00:32:34,030
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}只不过是寥寥几笔{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}just a few summary lines here and there{\r}

367
00:32:34,120 --> 00:32:37,430
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}就构成了一幅作品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}that manage to conjure up an entire scene.{\r}

368
00:32:50,280 --> 00:32:56,110
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这个见面礼可不小  难道你不这样想吗  这让我们可以和他一起共同完成作品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}It's a huge compliment, don't you think, making us his partner in completion,{\r}

369
00:32:56,200 --> 00:32:58,790
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}也让我们享受到怀疑带来的好处{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}giving us the benefit of the doubt{\r}

370
00:32:58,880 --> 00:33:03,150
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}我们可不想类似于烦琐的文字描述之类的作品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}that we wouldn't want anything so boring as the literal details.{\r}

371
00:33:14,840 --> 00:33:20,940
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}尽管评论家不再把伦勃朗看作是前卫派画家{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The problem though was that Rembrandt's critics didn't see him as offensively avant-garde.{\r}

372
00:33:21,040 --> 00:33:25,470
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}而是令人生厌的古董派{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}They saw him as offensively old-fashioned.{\r}

373
00:33:25,560 --> 00:33:28,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这是为什么呢  因为文化大气候发生了变化{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Why? Because of a cultural sea change.{\r}

374
00:33:30,120 --> 00:33:35,060
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}复杂化第一次在荷兰被视为重中之重{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}For the first time in Holland, sophistication seemed far more important{\r}

375
00:33:35,160 --> 00:33:39,790
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}简朴与虔诚开始退居二线{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}than simplicity and piety, the qualities the Dutch like to think{\r}

376
00:33:39,880 --> 00:33:43,070
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}荷兰人惯于思考的品质把他们带出了同西班牙之间的战争阴霾{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}had brought them through their war against Spain.{\r}

377
00:33:44,960 --> 00:33:47,110
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但如今和平又回来了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But now, peace had been declared{\r}

378
00:33:47,200 --> 00:33:52,320
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}到了十七世纪五十年代  这种迹象已经是显而易见了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and by the 1650s there was a perceptible sigh of relief.{\r}

379
00:33:53,120 --> 00:33:56,630
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以随着伦勃朗的作品日渐隐晦{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So just as Rembrandt's paintings were getting darker,{\r}

380
00:33:56,720 --> 00:34:00,990
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}阿姆斯特丹的心情却日渐轻松愉快{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the mood of Amsterdam was lightening and brightening.{\r}

381
00:34:06,560 --> 00:34:11,150
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}谨慎的穿着磨盘似的环领的先辈们{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The founding fathers and mothers, modestly dressed in millstone ruffs,{\r}

382
00:34:11,240 --> 00:34:14,470
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}已经为子孙们让了道路{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}had given way to their children.{\r}

383
00:34:14,560 --> 00:34:21,430
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他们是爱炫耀的一代  令人惊愕的猩红色  还带着头巾装成熟{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The peacock generation, gorgeous in screaming scarlets and coiffed to the nines.{\r}

384
00:34:24,040 --> 00:34:27,630
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}其中许多人都会把出国作为教育的一部分{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Many of them had been sent abroad as part of their education{\r}

385
00:34:27,720 --> 00:34:32,270
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}归国时都急于把一堆全球流行的事物带回家{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and had come back eager to import cosmopolitan stylishness{\r}

386
00:34:32,360 --> 00:34:34,870
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}而他们的国家的公民却都很朴素{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}to the homespun republic.{\r}

387
00:34:34,960 --> 00:34:39,980
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他们喜欢奢华  要向意大利人看齐{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}They weren't interested in austerity, they wanted to be like the Italians,{\r}

388
00:34:40,080 --> 00:34:41,910
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他们也向往柱子（意大利建筑特色）{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}they wanted pillars.{\r}

389
00:34:43,440 --> 00:34:46,230
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗所有的黑褐色与浅橄榄棕色调的作品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}All Rembrandt's murky browns and golds,{\r}

390
00:34:46,320 --> 00:34:50,630
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}穿着吊带袜  松弛的乳房都令他们感到无趣{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}those garter marks and flabby breasts were a downer.{\r}

391
00:34:54,040 --> 00:34:56,230
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这我们都了解  对吧{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}We all know this story, don't we?{\r}

392
00:34:56,320 --> 00:35:00,710
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这些第二代  所谓的继承者  有着信托基金的乳臭未干的小子们{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The second generation, the inheritors, the trust-fund brats,{\r}

393
00:35:01,000 --> 00:35:06,150
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他们思想狭隘  守旧的父母们不安了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}so embarrassed by their parents who are so old-fashioned, so parochial,{\r}

394
00:35:06,640 --> 00:35:10,710
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这些父母们关心的只有教堂和生意这两样儿{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and all they care about is church and business, business and church.{\r}

395
00:35:10,800 --> 00:35:15,350
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}什么 做生意 不就是做买卖嘛 天哪 这也太俗了吧{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And what a business, too, trade, my dear, so tawdry.{\r}

396
00:35:15,440 --> 00:35:18,550
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以这些小子们离开了  到乡下购置了别墅安顿下来{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So off they go and buy themselves country villas,{\r}

397
00:35:18,640 --> 00:35:22,990
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}家产被委托给手上沾满墨水的办事员去管理了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}while some inky-fingered clerk manages the family investment.{\r}

398
00:35:23,600 --> 00:35:28,750
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}于是这种解脱让他们开始专注真正感兴趣的东西  优雅精致{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}This leaves them to concentrate on what they really care about, cultivation.{\r}

399
00:35:28,840 --> 00:35:33,960
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他们认为  艺术不是一份来自自然未经编辑的报告{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}For art, they think, is not just a report unedited from nature,{\r}

400
00:35:34,040 --> 00:35:38,030
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}当然也不是仅仅因为碰巧的缘故{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and it's certainly not about dwelling indiscriminately on ugliness{\r}

401
00:35:38,120 --> 00:35:39,910
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}就不加选择的与丑陋毗邻而居{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}just because it happens to be there.{\r}

402
00:35:40,480 --> 00:35:44,470
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}不  艺术应该是通往和谐的神圣之路{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}No, art is the divine road to harmony.{\r}

403
00:35:44,560 --> 00:35:47,590
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}它纯洁无瑕  清澈见底{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}It's purity, it's clarity.{\r}

404
00:35:47,680 --> 00:35:49,510
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}它应该远离奇形怪状的事物{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Away with the misshapen,{\r}

405
00:35:49,600 --> 00:35:52,870
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}还要带出一个雅致的时代{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}bring on the age of refinement.{\r}

406
00:36:01,520 --> 00:36:05,590
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这就是伦勃朗  他可没有什么文化小道具{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And here's Rembrandt. No culture props.{\r}

407
00:36:05,680 --> 00:36:09,830
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}只有插在腰带里大而多肉的一双手掌{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Just those big, meaty hands stuck in his belt.{\r}

408
00:36:09,920 --> 00:36:13,030
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}一切看起来都是那么的旧{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Everything is starting to look heroically worn.{\r}

409
00:36:13,800 --> 00:36:18,030
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}外套很旧  眼皮发红{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The coat itself, the eyes pink-rimmed,{\r}

410
00:36:18,760 --> 00:36:21,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}永远在寻找着什么的人的双眼{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the eyes of a man who never stops looking.{\r}

411
00:36:23,600 --> 00:36:26,470
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}然而大体上看一看整幅作品的粗略轮廓{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And just look at the sketchiness of the whole thing.{\r}

412
00:36:26,560 --> 00:36:30,100
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他只不过是不想再去关心什么完成不完成了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}He just doesn't care about finish anymore.{\r}

413
00:36:30,200 --> 00:36:33,190
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}事实上  伦勃朗正处于某种进程之中{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}In fact, Rembrandt's in the process of doing something{\r}

414
00:36:33,280 --> 00:36:35,990
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}其结果会令古典学院派大吃一惊{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}which horrified the classical academicians.{\r}

415
00:36:36,680 --> 00:36:41,510
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他正在消除素描与绘画之间的界限{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}He's abolishing the difference between a sketch and a painting.{\r}

416
00:36:41,920 --> 00:36:45,910
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}作品的主题则是他最关心的人{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And he does it for the subjects he cares most about.{\r}

417
00:36:48,680 --> 00:36:52,030
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他对她关爱有加{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}He cares a lot about her.{\r}

418
00:36:52,840 --> 00:36:57,430
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}她就是Hendrickje Stoffels  一个来自偏远地区的女孩儿  父亲是当兵的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}She's Hendrickje Stoffels, the soldier's girl from the sticks,{\r}

419
00:36:57,520 --> 00:37:01,910
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}在Saskia逝世七年后她来到了伦勃朗身边{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}who came into Rembrandt's house seven years after Saskia's death.{\r}

420
00:37:04,300 --> 00:37:10,010
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}当时伦勃朗儿子的保姆Geertje Dircx已经成为了女主人{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Rembrandt had already taken his son's nurse, Geertje Dircx, as his mistress,{\r}

421
00:37:10,100 --> 00:37:14,810
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是后来Hendrickje来了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}but then Hendrickje arrived, and it wasn't long before he wanted{\r}

422
00:37:14,900 --> 00:37:18,130
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}于是离Geertje Dircx被取而代之的时刻也就不长了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}her in his bed and Geertje out of it.{\r}

423
00:37:21,620 --> 00:37:25,130
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}画中的Hendrickje正在向下看着水面{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Here's Hendrickje looking down into the water,{\r}

424
00:37:25,220 --> 00:37:29,930
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}由于一部分腿部没入水下  水上残缺的腿部仿佛产生了些许幻觉{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the break of her legs through its surface a little tour de force of illusionism.{\r}

425
00:37:32,500 --> 00:37:38,250
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是伦勃朗并没有被幻像所迷惑  他并没有选用常惯手法来处理画面{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Rembrandt now isn't choosing his way of handling paint just as the fancy takes him,{\r}

426
00:37:38,340 --> 00:37:42,290
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}而只是把那种美感传递了出来{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}but to convey sensuous experience.{\r}

427
00:37:42,380 --> 00:37:46,690
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以Hendrickje的衣服就拉的很高{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So Hendrickje's shift pulled scandalously high,.{\r}

428
00:37:46,780 --> 00:37:51,290
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}领口则很低  而且着色很重{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}her neckline scandalously low, are painted thickly,{\r}

429
00:37:51,380 --> 00:37:55,370
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}然而她的肤色与水相近{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}while her skin tones are as liquid as the water itself.{\r}

430
00:38:07,700 --> 00:38:12,560
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}而且在处理手部时  伦勃朗把手画成了不成形片状油彩{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And the way Rembrandt has painted her hands as just an unmodelled smear{\r}

431
00:38:12,660 --> 00:38:15,770
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这几乎可以成为那些批评家找茬的根据了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}almost dares the critics to make an issue of it.{\r}

432
00:38:16,940 --> 00:38:18,810
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}你能听到他们会说什么的  不是吗{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}You can hear them, can't you?{\r}

433
00:38:18,980 --> 00:38:24,370
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗·范·莱茵  噢  是的 很有天份 但是神啊 太困难了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}''Rembrandt van Rijn? Oh, yes, yes. Very talented, but my God, so difficult."{\r}

434
00:38:24,460 --> 00:38:29,770
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他老是不能完成一幅完整的作品 我想他已经廉颇老矣了 不是吗{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}"He never finishes a painting. I think his best years are behind him, don't you?"{\r}

435
00:38:29,860 --> 00:38:34,130
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}而且他和那个女人在那坐老房子里  对不起{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}"And what he's doing rattling around in that big old house with his, excuse me,{\r}

436
00:38:34,220 --> 00:38:36,490
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}到底在做些什么苟且之事啊{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}woman, I really don't know."{\r}

437
00:38:36,660 --> 00:38:39,530
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}人们从未听说她怀过孕  不是吗{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}"You have heard she's with child, haven't you?"{\r}

438
00:38:40,000 --> 00:38:43,770
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}二人之间那档子事肯定有点龌龊  难道你不这样认为吗{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}"It's just a bit squalid, don't you think?"{\r}

439
00:38:46,000 --> 00:38:49,470
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}失了宠  又不能跟上时代潮流{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Running out of favours, running out of time,{\r}

440
00:38:49,560 --> 00:38:52,510
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}房子贷款又不得不延期偿付{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}late with his loan repayments on the house,{\r}

441
00:38:52,600 --> 00:38:56,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这些锁链一圈又一圈的缠绕着他{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the coils of Rembrandt's ruin began to rope themselves around him{\r}

442
00:38:57,040 --> 00:38:58,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}越来越紧{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}ever more tightly.{\r}

443
00:39:00,800 --> 00:39:06,590
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}最终  伦勃朗不得不于1656年申请破产{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Finally, in July 1656, Rembrandt filed for bankruptcy.{\r}

444
00:39:13,500 --> 00:39:19,170
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}一次次的竞价  小锤儿一次次的落下  东西一件件的被拿走{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Auction by auction, hammer blow by hammer blow, everything was taken.{\r}

445
00:39:19,940 --> 00:39:22,850
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}不光是家具  家庭用品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}This wasn't just furniture, household stuff,{\r}

446
00:39:22,940 --> 00:39:27,490
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}就连伦勃朗的私人艺术收藏也被拿走了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}it was also Rembrandt's own personal archive of art.{\r}

447
00:39:27,580 --> 00:39:32,770
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}素描与油画  所有他苦心搜集来的奇异精巧的物件也都没有了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The drawings and paintings, all the strange, fabulous stuff he'd collected,{\r}

448
00:39:32,860 --> 00:39:35,370
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他一无所有了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}all gone.{\r}

449
00:39:35,460 --> 00:39:37,570
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}最后  只剩下孤零零的房子{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Then, the house itself.{\r}

450
00:39:47,600 --> 00:39:51,990
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}当时是1658年  伦勃朗一无所有{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}It's 1658. Rembrandt has lost everything.{\r}

451
00:39:52,080 --> 00:39:54,190
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}那么他又是如何为自己作画的呢{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So how does he paint himself?{\r}

452
00:39:54,280 --> 00:40:00,310
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}像个国王  或是个神灵  天庭饱满  披风金光闪闪{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Like a king, like a god, full frontal, mantled in lustrous gold.{\r}

453
00:40:00,400 --> 00:40:06,350
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}然而正是这幅厚重的豪华作品为他带来了力量和魔法{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And it's the paint, that thick, luxurious paint, which gives him his power, his magic.{\r}

454
00:40:08,640 --> 00:40:11,830
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}同样  他的眼神也不像通常的破产者那样气馁{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}No bankrupt's downcast eyes, either,{\r}

455
00:40:11,920 --> 00:40:15,030
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}而是直勾勾的盯着我们这些{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}but a stare coming right at us little people{\r}

456
00:40:15,120 --> 00:40:18,110
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}自以为知道艺术些许真谛的小人物{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}who fancy we know something about art.{\r}

457
00:40:18,520 --> 00:40:22,270
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他的眼神仿佛在发出一个贵族式娱乐的提议{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}A suggestion of lordly amusement playing about his eyes.{\r}

458
00:40:24,080 --> 00:40:30,180
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他桶状胸部吸收着光线  腹部膨隆就像个妖怪{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}His barrel chest soaks up the light, the belly swelling in front of us like a genie.{\r}

459
00:40:30,280 --> 00:40:33,550
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}整个身躯挤压着画框{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The whole body pressing against the picture plane,{\r}

460
00:40:33,640 --> 00:40:37,550
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}以他巨大的权威向画框发出挑战{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}challenging it to contain his massive authority.{\r}

461
00:40:39,240 --> 00:40:43,630
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是如果伦勃朗认为他的画风是给他带来麻烦的一部分原因的话{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And if Rembrandt thinks that his way of painting has been part of the problem,{\r}

462
00:40:43,720 --> 00:40:46,870
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是显然他并不愿意放弃{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}he's certainly not going to abandon it now.{\r}

463
00:40:47,680 --> 00:40:52,270
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}而且相反  事实上这幅作品是在怒吼{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Just the opposite, in fact. This is a painting that bellows defiance{\r}

464
00:40:52,360 --> 00:40:55,670
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}在向那些艺术创作的清规戒律展示他的蔑视{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}at the apostles of crisp clarity and contour.{\r}

465
00:40:55,760 --> 00:41:00,270
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他好像在说  看来你认为我画的太过了  对吗{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}''So you think that stuff was a bit much, do you?'' he seems to be saying.{\r}

466
00:41:00,360 --> 00:41:03,350
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}那你就好好的看看这个吧{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}''Just get a load of this.''{\r}

467
00:41:20,160 --> 00:41:22,990
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}你也许会认为画风自由而且还很粗糙{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}You'd think that with painting this free and this rough,{\r}

468
00:41:23,080 --> 00:41:27,030
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗会每况愈下  但事实并非如此{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}it would be downhill all the way for Rembrandt, but it wasn't.{\r}

469
00:41:27,120 --> 00:41:31,030
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}虽然房子 名誉 财产全没了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}With almost everything gone, reputation, possessions, house,{\r}

470
00:41:31,160 --> 00:41:36,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他仍然有东山再起的资本{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}he still had a chance for a comeback, the comeback to end all comebacks.{\r}

471
00:41:37,360 --> 00:41:41,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这是新建成的市政厅{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}This, the new town hall, had just been built and the cream of Amsterdam painters{\r}

472
00:41:42,040 --> 00:41:46,350
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}阿姆斯特丹的画家们争相要为它提供内部装饰作品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}were asked to supply pictures for its interior.{\r}

473
00:41:46,480 --> 00:41:50,310
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗豁出去了  也加入了这个队伍{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Against all odds, Rembrandt was one of them.{\r}

474
00:41:57,280 --> 00:42:00,670
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}市政厅并不能真正的代表这个建筑 不是吗{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}''Town hall'' doesn't quite describe this place,
does it?{\r}

475
00:42:00,760 --> 00:42:04,510
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这可不仅仅是职员啦  结婚证之类的东西{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}It's something more than clerks and marriage licences.{\r}

476
00:42:04,600 --> 00:42:07,430
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}尽管海牙是官方政府所在地{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Though The Hague is officially the seat of government,{\r}

477
00:42:07,520 --> 00:42:11,390
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是谁都知道阿姆斯特丹才是金融中心{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}everyone knows Amsterdam is where the money is.{\r}

478
00:42:11,480 --> 00:42:15,510
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以这个市政厅是（当地政府）不知羞耻的在向世界吹嘘{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So the new town hall is a shameless brag to the world{\r}

479
00:42:15,600 --> 00:42:17,630
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}自己是一个如何如何的大都市{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}about the great metropolis,{\r}

480
00:42:17,720 --> 00:42:22,580
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}而且其规模还使威尼斯的总督宫相形见绌（古威尼斯共和国的统治中心和总督官邸）{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}built on a scale that makes the Doges Palace in Venice look skimpy.{\r}

481
00:42:26,680 --> 00:42:30,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}在这座庄严肃穆的美丽建筑中 格调是最重要的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}In this solemnly beautiful setting, tone was all-important.{\r}

482
00:42:31,040 --> 00:42:35,980
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}里面的每一幅作品都要受到限制  必须得是古典作品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Any new paintings were going to have to be restrained, severely classical,{\r}

483
00:42:36,080 --> 00:42:38,380
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}而且画面要精美{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}pictorially well-behaved,{\r}

484
00:42:38,480 --> 00:42:41,430
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这好像专门是和伦勃朗过意不去  对吧{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}which doesn't exactly spell Rembrandt, does it?{\r}

485
00:42:41,520 --> 00:42:44,510
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}事实上  就是如此{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}In fact, anyone but Rembrandt.{\r}

486
00:42:46,880 --> 00:42:51,790
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以  首先这个人必须要绝对可靠{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So, of course, at first, the job went to someone far more reliable,{\r}

487
00:42:51,880 --> 00:42:54,630
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这个人选就是画家富林克{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}the painter Govert Flinck.{\r}

488
00:42:54,720 --> 00:42:57,310
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}也只有当富林克突然死亡之后{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}It was only when Flinck suddenly died,{\r}

489
00:42:57,440 --> 00:43:01,830
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}市政厅会议室里才有人胆敢提起那个“R”字母开头的那个人{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}that someone in the council chamber dared to say the R word.{\r}

490
00:43:02,000 --> 00:43:06,990
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}毫无疑问  经过一阵子沉默  然后也许有人说了 为什么不可以呢{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}No doubt greeted by silence, and then, perhaps, a, ''Why not?''{\r}

491
00:43:07,280 --> 00:43:10,790
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他穷困潦倒  正需要一份工作  他会好好干的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}''He's broke, he needs the work, he'll behave.''{\r}

492
00:43:10,880 --> 00:43:14,550
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}难道他什么时候交货就那么重要吗{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}''When has he not delivered the goods when it really counted?''{\r}

493
00:43:17,960 --> 00:43:21,740
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以 一份委托经过秘密渠道给了伦勃朗{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So, after getting the commission by the back door,{\r}

494
00:43:21,840 --> 00:43:25,150
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗也开始着手进行创作{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Rembrandt set about work on the painting.{\r}

495
00:43:25,240 --> 00:43:31,420
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}我认为结果必将是伦勃朗那种视觉想象力的巨大胜利{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The results would be, I think, the greatest triumph of his visual imagination,{\r}

496
00:43:31,520 --> 00:43:35,110
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但同时这也是他最骇人听闻的灾难{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}but it would also be his most shocking disaster.{\r}

497
00:43:35,600 --> 00:43:38,310
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}完成的作品应该被挂在这里{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The painting was supposed to hang here,{\r}

498
00:43:38,400 --> 00:43:42,910
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}主厅旁的墙面的一个拱形空间{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}in one of the great arched spaces by the main hall.{\r}

499
00:43:43,000 --> 00:43:48,790
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}市长所想要的是一幅关于{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And what the burgomasters wanted was a stirring depiction of a legendary story{\r}

500
00:43:48,880 --> 00:43:51,830
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}传说中荷兰如何建立国家时激动人心的时刻{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}of how the Dutch nation came to be born.{\r}

501
00:43:52,680 --> 00:43:57,470
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这个故事每个荷兰小朋友都能脱口而出{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}It was a history that every child in the Dutch Republic would have known,{\r}

502
00:43:57,560 --> 00:44:00,000
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}它对荷兰的重要程度就像布迪卡（古英国女王）对我们英国人一样{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}as important to them as Boudicca is to us.{\r}

503
00:44:00,000 --> 00:44:03,190
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}古荷兰又被称为Batavians{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The ancient Dutch, known as the Batavians,{\r}

504
00:44:03,280 --> 00:44:06,150
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}当时他们也在反抗罗马的统治{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}had their rebellion against the Romans, too.{\r}

505
00:44:06,240 --> 00:44:09,590
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}起义军的领袖名叫Claudius Civilis{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And their leader was called Claudius Civilis.{\r}

506
00:44:11,400 --> 00:44:14,190
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}故事是这样的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The story goes like this.{\r}

507
00:44:14,280 --> 00:44:18,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}Civilis曾经为罗马镇压过古荷兰的起义军{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Claudius had been fighting on the side of the Romans against his own people.{\r}

508
00:44:19,640 --> 00:44:22,710
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是不知出于什么原因  他倒戈相向{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But, at some point, he has a change of heart.{\r}

509
00:44:22,800 --> 00:44:26,150
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他认为税收太重了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}He decides there's been one tax too many,{\r}

510
00:44:26,240 --> 00:44:28,700
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他的同胞们都被榨干了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}his country bled white.{\r}

511
00:44:29,440 --> 00:44:35,150
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以他决定改变方向  于是召开了一个部落首领大会{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So he switches sides. He summons a meeting of tribal chiefs,{\r}

512
00:44:35,240 --> 00:44:39,510
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他宣布了他的反叛并发誓要加入同胞的队伍{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}declares a revolt and swears them to join him.{\r}

513
00:44:39,600 --> 00:44:44,870
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}首领们接受了他的誓言  大家歃血为盟{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}They take the oath, the die is cast, blood happens.{\r}

514
00:44:53,240 --> 00:44:57,670
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这是个激动人心的故事  但是要记住谁是订单的发出者{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}It's a stirring story, but remember who commissioned it.{\r}

515
00:44:57,760 --> 00:44:59,270
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}国教（基督教）{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The Establishment.{\r}

516
00:44:59,360 --> 00:45:04,110
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}噢  是的  值得尊敬的起义  但是只有在很久以前{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Oh, yes, honour rebellion but only when it was a long time ago{\r}

517
00:45:04,200 --> 00:45:07,740
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}而且只有通过最值得尊敬的方法才算是{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and only in the most respectable way.{\r}

518
00:45:07,840 --> 00:45:12,110
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}前提假设是他们已经得到一幅值得尊敬的作品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The assumption was they'd get a respectable painting.{\r}

519
00:45:12,200 --> 00:45:14,430
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他们得到的是这幅作品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}What they got was this.{\r}

520
00:45:21,560 --> 00:45:24,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}丑陋不堪  残缺不全  野蛮残忍{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Ugliness, deformity, barbarism.{\r}

521
00:45:25,040 --> 00:45:29,630
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}一群喋喋不休叽叽喳喳的傻蛋  嚼着洋葱{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}A bunch of cackling louts, onion-chewers, bloody-minded rebels.{\r}

522
00:45:29,720 --> 00:45:32,390
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}作品里面刀光剑影  杀气腾腾{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The paint slashed and stabbed,{\r}

523
00:45:32,480 --> 00:45:35,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}简直就是一堆武夫{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}caked on like the make-up of warriors.{\r}

524
00:45:38,920 --> 00:45:42,070
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是伦勃朗认为起义就是那个样子{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But that's what rebellion is all about, Rembrandt thought.{\r}

525
00:45:42,160 --> 00:45:44,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他从未考虑过还有什么温文尔雅的起义方式{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}He didn't think rebels were gentlemen.{\r}

526
00:45:45,040 --> 00:45:49,790
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这位是起义首领  脸上受了伤  一只眼没了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Here's the rebel leader, with a wound in his face where his eye used to be.{\r}

527
00:45:49,880 --> 00:45:54,190
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是如果艺术规则说礼貌起见{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So what if the rules of art said you had to hide a blind eye{\r}

528
00:45:54,280 --> 00:45:56,710
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}那只瞎眼得通过侧面轮廓隐藏起来又该如何呢{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}behind some decorous profile.{\r}

529
00:45:56,960 --> 00:46:02,230
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗说了  不  我坚持把这只瞎眼放在脸的正中央{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Rembrandt says, ''No, I'm gonna stick this blind eye right in the middle of your face.''{\r}

530
00:46:02,320 --> 00:46:06,550
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这就是野性粗犷自由的画风的成果{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}That was what wild, rough and free painting did.{\r}

531
00:46:06,640 --> 00:46:12,870
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}一把地狱之剑  还有一只杯子  里面盛的可能是酒也可能是鲜血{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Goes together with a sword from hell and a cup, maybe of wine, maybe of blood.{\r}

532
00:46:21,240 --> 00:46:26,990
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}无需多言  很难想象盛大的揭幕仪式会顺利的进行下去{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Needless to say, it seems hardly likely that the grand unveiling went down at all well.{\r}

533
00:46:28,320 --> 00:46:30,110
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}我的意思是  看看这幅画吧{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}I mean,just look at it.{\r}

534
00:46:30,200 --> 00:46:33,710
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这是一幅充满了野性的作品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}This is a painting drunk on its own wildness.{\r}

535
00:46:33,800 --> 00:46:35,470
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}一点优雅的地方也没有{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Nothing refined about this.{\r}

536
00:46:43,700 --> 00:46:48,490
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以它被取了下来  被人嗤之以鼻扔在一旁{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So down it came, deposed, disgraced, expelled.{\r}

537
00:46:49,340 --> 00:46:53,450
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}最后伦勃朗不得不跪下来亲手剪破自己的作品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And down on his knees went Rembrandt, chopping up his masterpiece,{\r}

538
00:46:53,540 --> 00:46:58,010
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}抱着一线希望会有人来买走一片半片{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}hoping against hope that someone would buy a piece of it.{\r}

539
00:46:58,100 --> 00:46:59,450
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}看来希望很渺茫{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Fat chance.{\r}

540
00:47:09,900 --> 00:47:15,050
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}看来这幅作品不仅会阻碍他东山再起{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The Claudius Civilis would not just be the ruin of Rembrandt's comeback,{\r}

541
00:47:15,140 --> 00:47:19,490
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他那最伟大的想象能力也会受到损害{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}it would also be the ruin of his greatest vision.{\r}

542
00:47:22,340 --> 00:47:25,330
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}也许我也会这么想  但是还不太肯定{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Or so I think. I can't be sure.{\r}

543
00:47:25,420 --> 00:47:30,090
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}没有人能肯定  因为我们都没有真正的了解这幅作品到底像什么{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}None of us can, because we don't really know what the big picture looked like.{\r}

544
00:47:30,580 --> 00:47:35,770
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}我们现在看到的作品只有原来尺寸的1/5{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}What we're looking at here is a fragment a fifth of the original size.{\r}

545
00:47:35,860 --> 00:47:39,530
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}还是从伦勃朗刀下抢回来的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The bit rescued from Rembrandt's knife.{\r}

546
00:47:41,500 --> 00:47:45,770
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}当看到这幅作品时你会想到“最后的晚餐”  这一点也不奇怪{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}No wonder you think ofThe Last Supper when you see this picture,{\r}

547
00:47:45,860 --> 00:47:49,400
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}因为伦勃朗画的是一个非宗教的祭坛装饰作品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}for Rembrandt has painted a secular altarpiece.{\r}

548
00:47:49,500 --> 00:47:53,490
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}神秘而又危险  恣意的亵渎{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Mysterious, dangerous, joyously profane.{\r}

549
00:47:55,500 --> 00:47:59,490
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}没有什么（代表神灵的）光环  但是有一室金色光芒{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}No halo, but a bath of burning golden light.{\r}

550
00:48:00,700 --> 00:48:05,090
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}可是却没有蜡烛  那是自由的能量在奔涌{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}No candles, just the power surge of freedom.{\r}

551
00:48:06,580 --> 00:48:08,960
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}信念之火{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The fire of an idea.{\r}

552
00:48:12,660 --> 00:48:15,490
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}你会认为这又是一幅未完成的作品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And you're thinking that it looks unfinished,{\r}

553
00:48:15,580 --> 00:48:19,090
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}非常粗糙  还没有完工{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}aggressively rough, a work in progress.{\r}

554
00:48:20,020 --> 00:48:24,010
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是伦勃朗却说了  其实是在声情并茂的怒吼{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But Rembrandt's saying, in a voice that's a visual roar,{\r}

555
00:48:24,100 --> 00:48:28,530
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}那就是你们  一座城市  一个国家{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}''That's you, a city, a country,{\r}

556
00:48:28,620 --> 00:48:30,730
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}一幅未完成的作品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}a work in progress."{\r}

557
00:48:35,460 --> 00:48:39,490
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}画中的人物就是你们{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}''This is my group portrait of all of you,{\r}

558
00:48:39,580 --> 00:48:43,610
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这一幅幅肖像  都是你们{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}a portrait of a people, a portrait of who you are,{\r}

559
00:48:43,700 --> 00:48:45,890
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}那是曾经的你们{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}who you've always been. ''{\r}

560
00:49:27,020 --> 00:49:30,170
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}以难以取悦的方式{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Let the high and mighty celebrate their greatness{\r}

561
00:49:30,260 --> 00:49:32,410
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}来庆祝他们的伟大{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}with fastidious etiquette.{\r}

562
00:49:32,860 --> 00:49:36,290
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}如果需要的话  让他们向欧洲其他国家学习{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Let them even copy the rest of Europe if they must.{\r}

563
00:49:36,380 --> 00:49:41,610
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是伦勃朗 一个破产者 也曾经不可一世 但他却是荷兰的良心{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But Rembrandt, the bankrupt, the has-been, was their patriotic conscience..{\r}

564
00:49:42,380 --> 00:49:45,650
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他说道  在流行中 你早晚会窒息而死{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}''Smother yourself in fashion at your peril,'' he was saying.{\r}

565
00:49:45,740 --> 00:49:49,570
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这些才是真实的你  粗野但诚实{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}''These are your flesh and blood, rough and honest,{\r}

566
00:49:49,660 --> 00:49:53,650
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}是你们的野蛮先辈建立了荷兰{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}your barbarian ancestry. They made you Dutch,{\r}

567
00:49:53,740 --> 00:49:58,290
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以放下你的尴尬不安去拥抱他们吧  赞誉他们吧{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}so banish your embarrassment, embrace them, honour them."{\r}

568
00:49:58,620 --> 00:50:02,240
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}因为你们认为重要的事情其实都不重要{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}''For everything that you think matters, doesn't."{\r}

569
00:50:02,340 --> 00:50:06,210
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这座宏伟的大理石市政厅明天可能会归为尘埃{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}''The town hall, with all its acres of marble, could go tomorrow."{\r}

570
00:50:06,300 --> 00:50:09,920
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}阿姆斯特丹也可能会沉入海底{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}''Amsterdam can sink back into the sea again."{\r}

571
00:50:10,020 --> 00:50:15,250
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}只要拥有粗犷的自由  荷兰就能永存不朽{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}''As long as you have your rough freedom, you have all you need to stay Dutch. ''{\r}

572
00:50:23,580 --> 00:50:27,090
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}所以伦勃朗并不是按照规则创作的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}So of course Rembrandt's not gonna paint by the rule book.{\r}

573
00:50:27,180 --> 00:50:31,930
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}相反 他的历史题材的作品都是曾经最粗糙艰难的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Instead, he does the roughest, toughest history painting ever.{\r}

574
00:50:32,140 --> 00:50:36,330
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他就像一只通过绘画发出吼声的年老雄狮{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}An old lion's roar of a picture.{\r}

575
00:50:36,420 --> 00:50:39,010
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他有按要求创作这幅作品的全部动机{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}He had every incentive to paint it straight,{\r}

576
00:50:39,100 --> 00:50:42,930
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是他内心深处却有些东西阻止他这样做{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}but something in him just wouldn't do it.{\r}

577
00:50:43,020 --> 00:50:48,490
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}正是这些东西推动着艺术的发展进步  那就是对逢迎讨好的蔑视{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}This is what drives the very greatest art. Contempt for ingratiation.{\r}

578
00:50:51,580 --> 00:50:54,450
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}如今伦勃朗已经通过艰苦的过程学到了这些{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Now Rembrandt had learnt this the hard way,{\r}

579
00:50:54,540 --> 00:50:59,130
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}当年轻无知的小子们鄙视他的作品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}when the callow hand of fashion had given him a resounding thumbs down,{\r}

580
00:50:59,220 --> 00:51:03,290
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}当他与阿姆斯特丹富人阶层的关系变了味{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and when his relationship with the rich of Amsterdam had turned sour,{\r}

581
00:51:03,380 --> 00:51:08,170
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他的幻想与财富都被剥夺了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}and he'd been stripped, not just of his fortune, but of his illusions.{\r}

582
00:51:08,620 --> 00:51:12,570
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}投其所好已经不在他的考虑之中了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Giving them what they wanted was now beside the point.{\r}

583
00:51:12,660 --> 00:51:15,930
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}投其所需才是他的想法{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Giving them what they needed was more like it{\r}

584
00:51:16,020 --> 00:51:21,810
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}但是他们却不欣赏  所以难怪伦勃朗会损毁自己的作品了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}But they refused to look and that's why he cut up his masterpiece.{\r}

585
00:51:28,100 --> 00:51:30,970
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗最后创作的一批作品中有一幅{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}One of the very last pictures Rembrandt painted{\r}

586
00:51:31,060 --> 00:51:36,000
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}牧师西门被女先知安娜带到圣子身旁{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}was Simeon the priest being brought the Christ child by the prophetess Anna.{\r}

587
00:51:36,000 --> 00:51:40,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}圣子的面部发出一团温暖柔和的光芒{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Out of the face of the Christ child pours a soft, brimming radiance{\r}

588
00:51:41,440 --> 00:51:46,670
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}老人的眼睛闭着  脸部笼罩在光芒之中{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}which falls on the face of the old man, who, with his eyes closed,{\r}

589
00:51:46,920 --> 00:51:51,190
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}最终他理解了  事实上他是看到了这团光芒{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}understands at last he has, in fact, seen the light.{\r}

590
00:51:53,240 --> 00:51:57,470
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}唉  但是伦勃朗的资助人却没有看到{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Rembrandt's patrons, alas, did not.{\r}

591
00:51:59,200 --> 00:52:03,430
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这幅画是伦勃朗死后的在房子里找到的作品之一{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}The painting was one of those found in Rembrandt's house when he died{\r}

592
00:52:03,500 --> 00:52:07,010
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}当时是1669年10月2{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}on October 2, 1669.{\r}

593
00:52:07,100 --> 00:52:10,290
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}人们通常认为这是一幅尚未完成的作品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}It's always been thought of as unfinished.{\r}

594
00:52:12,000 --> 00:52:16,670
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}在这间昏暗的小屋里{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Somewhere in that dim little house was another painting the world thought of{\r}

595
00:52:16,760 --> 00:52:21,700
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}人们又发现了一幅“未完成”的被作者损毁的作品{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}as shockingly unfinished, a mutilated stump of a picture.{\r}

596
00:52:25,000 --> 00:52:30,750
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这也许是绘画史上最令人辛酸的一刻了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}This just may be the most heartbreaking fragment in the entire history of painting.{\r}

597
00:52:31,640 --> 00:52:35,550
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}这是因为你能看出来它他好像什么也不是 不是吗{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}And just because you can see, can't you, that it looks nothing,{\r}

598
00:52:35,640 --> 00:52:39,260
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}也就是个老头子罢了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}nothing whatsoever like an old master,{\r}

599
00:52:39,360 --> 00:52:42,070
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}它被人从墙上跳下来{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}that it leaps from the decorum of the gallery wall{\r}

600
00:52:42,160 --> 00:52:45,230
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}然后来到了另一个世界{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}into some other world of eloquence.{\r}

601
00:52:45,320 --> 00:52:51,150
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}伦勃朗画笔下的Claudius Civilis使我们明白了{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}Rembrandt's Claudius Civilis tells us that the very greatest painting{\r}

602
00:52:51,400 --> 00:52:55,950
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}优秀的作品是不会随着时间和人们的喜好改变的{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}isn't bound by time or taste.{\r}

603
00:52:56,040 --> 00:52:59,150
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}他就像个发出提醒的人  每当我们需要的时候他就会出现{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}A reminder, if ever we should need it,{\r}

604
00:52:59,240 --> 00:53:03,870
{\fnSTKaiti\fs20\3c&H400000&\4c&H400000&}虽然很多时候他的面目不怎么好看{\r}
{\fnMicrosoft JhengHei\fs14\3c&H400000&\4c&H400000&}that eloquence doesn't always come with a pretty face.{\r}